Dj Kelie

Dj TIESTO

Dj Tiesto The most popular dj!

Music has been the biggest passion in Tiesto`s life and has always felt the need to share that passion with other people. A mainstay in his native Holland, Tijs Verwest aka DJ Tiesto, recounts his first brush with bringing forth his passion for music at the tender age of 8 years old. In the early days of his career, he played records at drive-in disco shows where his sound focused on club music from the Dutch chart parade. Narrowing his scope to a fusion of house beats laden over a bass heavy groove, Tiesto then started playing out at a well known club in Breda called The Spock. Resisting the sounds and trends of the time, he caught the attention of the GM of Rotterdam’s based label, Basic Beat Recordings, by creating his own distinctive style and sound. From this, Tiesto’s first mixed series entitled Forbidden Paradise was born. Shortly after, he formed his record label, Black Hole Recordings and released his own Magik cd series. He also mixed the first two Space Age volumes and the much respected In Search Of Sunrise 1, 2 and 3. Through these imports, Tiesto was raised to mythical status in the States by his cult following.
Tiesto’s US debut was marked with the release of Summerbreeze (2000), a mixed album featuring his remix of “Silence”. Peaking the Billboard Charts at #3, “Silence” featured the vocals of Sarah McLachlan which became a mega-club hit, remaining one of the most influential tracks of this progressive dance era. This was what indeed made the world fall in love with him. It was this record which fully broke Tiesto in the U.K., spending four weeks in the Top Ten.
Tracks like Flight 643, Urban/Suburban Train and Gouryella - his collaboration with fellow Dutch trancemeister Ferry Corsten - have been played by everyone from Pete Tong to Paul Oakenfold. In fact Oakenfold has become his greatest ally, asking Tiesto to mix the opening track on his album Bunkka and putting Tiesto tracks on all his recent compilation albums.
There has become a huge demand for Tiesto’s remixes, and so after declining a remix for U2, he did a great remix for Dave Matthews Band’s ‘The Space Between’, which set a new standard for mixing rock and house music. Tiesto has also remixed a track from Moby’s album, “18″ featuring 2 b-sides - Love of Strings and Life’s So Sweet.
In Summer of 2001, Tiesto ruled Godskitchen in Ibiza. In 2002, he was snapped up by Cream who gave him a residency at Amnesia alongside Paul Van Dyk. “2002 is the first year I’ve had a real residency in Ibiza so it gives me the chance to play some longer sets and influence the sound of Ibiza,” he stated.
But it is America where Tiesto has caused the biggest impression. The Americans lap up his DJ sets, he loves their “youthful enthusiasm” and was high on the bill at the last Coachella festival in Palm Springs. It was a phenomenal 2002 for DJ Tiesto, who started the year by playing four major New Year’s Eve parties, reaching 60,000 people in the UK. He also embarked on a 12 date U.S stadium tour with Moby & David Bowie, Carl Cox, and Digweed, and still had time to jet off to his residency in Ibiza.
After winning almost every dance related award in 2002, a crown was put on his career by being voted the number 1 DJ in the world in DJ Magazine`s Top 100. He repeated this achievement for the second consecutive year in 2003.

PAUL VAN DYK

Paul Van Dyk Home page

Born December 16th, 1971 in Eisenhuettenstadt, East Germany, Paul grew up in communist East Berlin. Prior to Germany’s reunification, he at least had an early window to the capitalist world via the cross-border airwaves.
“We were able to see Westside - TV and listen to western radio stations. We recorded the music and replayed it at our parties, because in the east we didn’t have something like a club culture. In those days I listened to the radio show of Monika Dietl. I was really captivated by the music of ‘The Smiths’ and ‘New Order’. It (the music) was very strong and emotional…
Then in 1989, as the wall finally came down, a broad Club culture sprung up throughout all of Berlin. “Mainly they played that hard Detroit - Techno. I liked this energetic spirit, but something was missing. I (was looking out) for something else.”
That search would never leave him. Stemming from two crusty old turntables, the first remix tapes of his musical ideas were created. And only a bit later, in March 1991, his unique style of dance music was played for the very first time to the public at the embryonic Berlin club “Tresor”.
Around this same period, Paul also started making his own original compositions. His first production “Perfect Day”, put together with Cosmic Baby as “Visions of Shiva”, was released in 1992. “I was pleased like a little child, holding my own very first record in my hands!,… Paul remembers. “Perfect Day” was published by the Berlin underground label ‘MFS’, and launched a promising career, which aimed without pause or hesitation for the top !
In 1993 Paul created the club hit of the year with his remix of Humate’s “Love Stimulation”. The following year, his first album “45 RPM” was recorded, while he was also regularly spinning sets at the legendary club ‘E - Werk’.
Over the next few years Paul garnered further respect by remixing tracks of many renowned artists such as Inspiral Carpets, Sven Väth, Curve and New Order. This was of course until the release of his second album, “Seven Ways”, which firmly established him as one of the world’s truly great electronic artists.
‘Seven Ways’ unleashed a frenzy of national and international interviews, and many globe-roaming DJ - sets as well, as Paul was catapulted into the Top 100 - Salecharts. Even the English music media, typically protective of their own homespun DJ artists, unanimously praised the record. Readers of “DJ Magazine voted ‘Seven Ways’ as the Number 1 album of the year. Bellowing singles such as “Beautiful Place”, “Forbidden Fruit” and “Words”, featuring remixes of Salt Tank, Quattara and Curve, fully secured him a place as a major player in the British and European dancecharts.
Before the club closed, Paul became an institution at Berlin’s ‘E - Werk’, regularly spinning new musical magic, with guest appearances by fellow superstar DJ’s Nick Warren, BT, Dave Seaman and Sasha.
In 1998 his first album “45 RPM” was released in the UK, and the new remix of the single “For an Angel” attacked the worldwide dancefloors. The album buzzed for two weeks at number 1 in England and four weeks at number 1 in the German dancecharts, and also achieved major postings in the American, Australian, Dutch, Belgian and Scandinavian dancecharts.
However, Paul’s core sentiments are not as a producer, to be shuttered away in some stealthy studio, but as a performing DJ very willing to be seen, and with a deep desire to have contact with his audience, whether it be 500 people or 1.5 million…
“As I began my career as a DJ I discovered that there is a really deep communication between DJ and people. I learned to observe the different vibrations, learned how to move the crowd, and how to create atmosphere.” Paul remembers, “because while spinning, an interaction takes place between the people and me. I never come into a club and spin just a ready set. It is also a very new experience for me every time, and nobody knows in advance how it will end.”
Now he creates that experience regularly, as resident - DJ in New York’s “Twilo” club, at the acclaimed “Gatecrasher” in Sheffield, and in his hometown of Berlin.
In 1999 Paul was divorced from his former label ‘MFS’ and started up, together with his team, the new label “Vandit” Records. This label presents both Paul’s releases, as well as other new and innovative dance/DJ artists.
In England, ‘Deviant’ - Records are taking care of Paul’s creative output, whose brainstorm was the 1998 Triple - CD “Vorsprung Dyk Technik”. Combining 33 tracks, it is the most exhaustive collection of Paul’s remixes to date, containing classics like Humate’s “Love Stimulation” and Joe T. Vanelli’s “Playing with the Voice in Germany” as well as Binary Finary’s clubhit “1998″ and Paul’s own chart single “For an Angel”. A year after its release in Nov 1999, “Vorsprung Dyk Technik” was officially declared “Silver” with over 60,000 UK sales, a very rare feat indeed for a Triple - CD.
Today Paul’s touring diary is incredibly hectic with regular globetrotting stops at major venues in London, Tel Aviv, Mexico, New York and Singapore. Between all that, Berlin is always there and waiting — if not for the interviews and local club dates, then for looking after his own label, recording studio and radio show (not to mention his friends and family as well!).
“It isn’t the success or which place I take in the salecharts that is important for me. (What’s) most important are the people, the family, friends, ..and everyone, (especially) where I’ve changed something. I am really pleased when someone tells me: “Hey, by hearing your song something changed in my life!” Paul says, “I’ve never made music for being trendy or making the fat money. I make music for myself, it (the music) comes directly from my stomach, my music springs from an intense feeling. And every track has its own little story…”
We are all wishing you lots of pleasure while listening or dancing to Paul’s music, and you’ll definitely be hearing more from him on this website in the near future !

Just listen, enjoy and be inspired !

ARMIN VAN BUUREN

Armin Van Buuren

Armin van Buuren is a happy man, and with good reason. Holding firm at Number 3 in the prestigious public-voted DJ Top 100, he’s making the transition from talented young upstart to leading light in the echelons of trance • and beyond. 2005 has brought two new significant awards (Best Radio Show, and Best Compilation for A State of Trance 2004 at the Miami Winter Music Conference Awards), and a stunning new artist album, Shivers, showcasing his debut as a songwriter.
Affronted by the cheesy tag that dogged it for a brief time real trance has continued to grow unabated, and the WMC awards reflect Armin’s success in producing and playing quality tunes that both excite existing fans and bring new people to the scene. “I think trance is becoming a broader term for a lot of different genres; it’s no longer a specific kind of music within the dance scene,” says Armin, widely credited with creating the blueprint track for the genre, Blue Fear, at the tender age of 19,. “Trance has elements of all different types of music. I play a lot of tracks that are labelled as progressive, tribal progressive, techno, trance, euphoric trance, vocal trance, melodic progressive… These days it’s really hard to label a specific sound. Styles are mutating and evolving into this all-over new sound, which is basically dance music going back to its roots. There’s so much good music out there and I don’t want to limit myself to just one style.”
Born in Leiden, Holland (on December 25, 1976) to a musical family • his dad had a serious penchant for a diverse range of genres including punk and electronica “to get rid of the stress of everyday life”, while his brother is a prodigious guitar player • Armin indulged his passion for music from a young age, blowing all the money from his paper round on records. His mum won a computer when he was 10, “So as a little nerdy kid I was writing my own Basic programmes, and learnt about the technology from there.” He progressed from making the usual tapes for his friends, put together on a cheap set of decks that he wore out learning to mix, after discovering his uncle experimenting with different sequences on his computer. “I was so amazed at what he was doing, since that moment I’ve been addicted to creating music!”
In the early 90s, Holland’s upfront dance scene meant that although Armin was too young to go clubbing, he knew the music inside out from listening to the radio. “I loved dance music immediately • this great rebellious sound that was so different to the ‘beautiful’ songs of the 80s”. Citing electronic pioneer Jean Michel Jarre as a major influence (famed for his awesome visuals as well as his groundbreaking synth sounds), as well as Dutch producer Ben Liebrand, who later mentored him in his mixing and producing, Armin was soon cracking out consistently stand-out tunes that graced compilations across the globe, and his DJ bookings were looking pretty healthy to boot. But despite his music career taking off at such an early age, Armin thought it was wise to have something extra in case the DJing didn’t work out, and studied for a law degree. He actually got a job offer with a law firm but says it’s not really his thing, though he does acknowledge he’d look good in a suit…
The final year of his course was inevitably stretched as he juggled his studies with his increasingly hectic schedule; his meteoric rise to fame included a slew of acclaimed productions and remixes, as well as playing out to packed clubs every weekend resonating with the vibe of thousands of happy party people. He took three years to graduate, but with typical determination saw it out to the end.
Armin’s Blue Fear, a Sasha and Digweed staple, previewed his signature style: divine layering of sounds, lush chords and a continuous driving beat with that intangible added extra, the unique essence that sets quality tunes apart when you hear them in a set. His subsequent productions and remixes (too numerous to list here • chuck him into a google search if you’ve got a day to read the resulting titles…), include Communication, Sound Of Goodbye, Burned With Desire, Touch Me, Free, Wamdue Project’s King Of My Castle, Solid Sessions’ Janeiro, and Solar Stone’s 7 Cities, as well as high profile collaborations with his peers.
While the remix offers now flood in, Armin only takes on tunes that he really loves, and that “I wish I’d made myself!” His compilations strive to follow that precedent, always comprising the cream of his current favourite tracks and mixes. It’s what keeps him one step ahead. His desire to showcase more of the wealth of good music out there, along with the number of people sending him tracks they wanted to release, led to the obvious step of starting his own label, Armada, in 2003.
“Maykel Piron was head of A&R for Warner Music, and we always said we’d start a label together, though there was always an element of bragging! I took him to Ibiza for a weekend, and during the trip we sat on the terrace and started talking. He felt like he wanted a new challenge, and so did I”. They teamed up with a third partner, David Lewis, who’d previously managed Armin, and the venture flourished. “What we wanted was a company that could offer everything for an artist: representation, a booking agency, and a record company. Artists can choose full management, or to just release a record or play out at gigs. Armada lets the artists choose what they want without telling them what to do”.
Freedom is something that Armin fully appreciates as an artist, and all the tracks on his compilations are tried and tested. “Production gives you more freedom ‘cos you can experiment more, it can be less obvious than DJing. Whatever - it’s the best life there is! It has to do with taste. I don’t often get to hear other DJs’ sets, but I like that I’m not particularly influenced by anyone else. Some of my sets have influences of house or breaks, but I still have a certain sound that’s my own”. He honed his sound on debut artist album, 76, for which he scored a prestigious Dancestar Award 2004 nomination (Best New Artist Album). “I’d always wanted to do an album, but there’d never been the time or the money. Scoring the number five position in DJ’s Top 100 poll the previous year helped to get labels interested, and I finally got to go into the studio. Basically everything I’d learned in the past 10 years fiddling around in my bedroom with equipment culminated in this album.”
Undaunted by the stir that his first offering caused, Armin has pushed himself further with his much anticipated second artist album, Shivers (out summer 2005). The title track has already dented the charts, and the second single is the anthem for massive Dutch party Sensation White. Armin jetted round the world for collaborations with the likes of Gabriel and Dresden, with whom he recorded in San Francisco and the honey-voiced Nadia Ali of iio: “We recorded a track in New York, and I’m really really proud of it! I wanted to take things a little bit further with the album • my definition of an artist album is something you can put on at home or in the car and really listen to • so it’s 10 brand new tracks that are very diverse, probably the most diverse things I’ve ever done. As a DJ you always have to take the crowd into account, but as an artist you have the freedom to make whatever you like, and I find that much more exciting creatively than being bound to that four to the floor or break beat or whatever. Shivers will appeal to a much bigger audience than 76, because it has a lot of rock and pop influences in addition to trance influences. 76 was almost like a ‘best of’ compilation because a lot of my earlier works were on there - it was sort of ending an era. Shivers is the work I’ve done in the last two years. It was also a real luxury as I had about 20 tracks by the time I needed to finish it, and I only selected 10 • as I worked the album just got better and better, so it was like drawing a line and saying ‘that’s it’. It’s really hard to let go to be honest, to stop the creative process!”
In fact, finishing Shivers has had the opposite effect and seems more of a start than an end. Clearly on form for a third album, (“I’m already working on it” admits Armin) the experience of making this one has opened a world of possibilities. “It was particularly interesting for me as I’ve really raised the bar this time in terms of song writing rather than purely thinking technically. I think technically, I know everything about trance and dance - I know how to make it, I know a lot about software and computers, but what I hadn’t had time to invest in enough was actual song writing, song structure, arranging, composing, that’s something a little bit new for me. Fortunately I’ve found the right people to work with • I know about dance music and they know about song writing - so it’s been a perfect amalgamation of the two.”
After four years of fronting his own weekly radio show, A State Of Trance, Armin signed a deal with The Radio Department (also home to John Digweed and Carl Cox’s shows) to distribute it internationally. Now online and on fm stations, his website details who is already broadcasting it • and the list is still growing. “There’s more new listeners because more people can access it now. I think trance is a universal experience; it’s one of the first musical genres that really showed its power through the internet, and I wouldn’t be where I am now if it wasn’t for downloads!”
Post-album, Armin says he’ll be “taking it easy for a bit”. Taking it easy Armin-style includes touring America (where he has a huge following) with Paul Oakenfold, who will then join Armin at his Armada night in Ibiza, a tour to promote Shivers, a huge event at the end of 2005 in Holland, and of course, the radio show, as well as focusing on new songs “when I get the time.”
“This is just what I want,” says Armin. “It’s not love for music, it’s a passion, and it goes beyond liking, and beyond a hobby, it’s about a way of living. Music is essential for my life”.